Renowned as the world’s greatest flower show, the RHS Chelsea Flower Show prides itself in showcasing remarkable garden design and outstanding floral displays. The 2024 edition was no exception, with heritage lighting specialists, William Sugg and Co creating a commissioned heritage lantern which featured prominently in one of the eight high- profile show gardens.
The celebrated show gardens represent the pinnacle of horticultural excellence with showstopping designs, innovative materials and glorious planting. Leading landscape architect and seven-time gold medallist Robert Myers was chosen to design this highly coveted garden, having previously worked closely with the team at St James’s on a transformative project to restore the grounds and create a space for regeneration. His expertise and vision were instrumental in achieving a prestigious gold medal, a testament to the garden’s beauty and excellence.
New Hope and Growth
For his gold-medal winning design, entitled ‘St James’s Piccadilly: Imagine the World to be Different’, Robert drew on inspiration from nature’s reclaiming of London’s old bomb sites.
The garden’s design paid homage to the ‘revitalising influence of urban green spaces, symbolising a message of hope and recovery’, while igniting the imagination of future generations to envision a different world.
“My design’s journey began with visitors entering through an archway reminiscent of the gateways leading to the churchyard at St James’s Piccadilly, where they then stepped into a contemplative haven, featuring a lush, biodiverse planting scheme.” describes Robert Myers, Director, Robert Myers Associates.
A step back in time
Built by Stewart Landscape Construction, Robert’s vision was carefully replicated into the design to ensure the historical relevance was perfectly captured and the story brought to life. With this in mind, the Stewart Landscape team commissioned William Sugg & Co to provide an eye-catching heritage lighting feature for the show garden’s grand entrance. The company’s historical Grosvenor lantern design was specified to take centre stage in the arresting entrance archway, reminiscent of the gateway leading to the churchyard of St James’s Piccadilly. Steeped in rich history, the Grade I listed church was designed by Sir Christopher Wren and consecrated in 1684. Currently undergoing a major £20million restoration of the church, its courtyard and garden, St James’s Piccadilly has notable associations with poet, William Blake, artists, Mary Delany and Mary Beale and theologian, Quobna Ottobah Cugoano, the first African to call for the total abolition of the transatlantic slave trade across the world – all of which had their stories woven through the show garden.
“We chose a bespoke William Sugg & Co Grosvenor lantern for this special project, not only for its traditional, heritage design, but also to accurately reflect the historical context, as the same William Sugg lanterns are installed at St James’s Piccadilly in London and have been in situ there since 1940. Not only did the lantern work perfectly for the design, but it gave the garden a deep connection with the historic church building and the surroundings which it was inspired by.” explains Robert Myers, Director, Robert Myers Associates.
To meet the required specifications and sustainability aspects for the Chelsea Flower Show project, the original lantern design was altered from a gas mantle burner to an LED mock mantle to give an original aesthetic, designed to emulate the original gas mantles in terms of design, scale, output and colour temperature.
The exquisite lantern, made of copper, was carefully hand crafted in the William Sugg & Co workshop in Horsham, West Sussex using traditional techniques. It was given a bespoke paint finish in RAL 7022 brown-grey to soften the standard black finish, complimenting the earthy, natural colour scheme of the exceptional garden design. For the archway installation the Grosvenor lantern was hung from the centre of the archway via a powder coated steel drop-rod.
The William Sugg & Co Grosvenor lantern was first introduced in 1927 and was given its name to reflect a lantern of a better quality and appearance than the ‘ordinary’ square lamps which were more commonly used. The name is also thought to reflect the location where it was either intended for or first introduced.
The traditional design of the Grosvenor lantern in the Robert Myers Garden retains the Victorian style of the original, with an eye-catching design and striking fretwork. It is a truly classic design. Featuring individual radiused glass panel glazing, it has a hinged glazed door, mounted as standard on galvanised open frogs which are powder coated. The manufacturing process of the Grosvenor is such that it is highly durable, with stainless steel rods to improve structural integrity.
“RHS Chelsea Flower Show is a pivotal event for us each year. With our combined expertise and honed knowledge, we worked closely with William Sugg & Co to produce and supply the lantern to perfectly fit the brief. Although we were working to a very tight time scale, the process from start to finish was seamless. Having worked with the company previously, we knew we would be presented with an authentic product, hand crafted by William Sugg’s highly skilled artisans who work to the highest standards. The beautifully crafted lantern was beyond our expectations.” says Mark Richardson, Director, Stewart Landscape.
“We were delighted to collaborate with Robert Myers and Stewart Landscape Construction on this prestigious project at Chelsea Flower Show. Established in 1837, William Sugg & Co has a long history of designing and manufacturing heritage lanterns for the streets of London, Royal Parks and for places of worship, so we were well placed to have taken on this unique installation which nods to our history at St James’s Piccadilly.” explains Lucy Bubb, Managing Director, William Sugg & Co.
Relocation Plans
Following the close of the show, each of the show gardens are relocated for many more people to continue to enjoy. For the Robert Myers show garden, the plants will enrich the garden at St James’s partner church, St Pancras Euston Road. In time, the sculptural counselling cabin and other hard landscaping features and details, such as the Lantern, will be installed in the restored garden in Piccadilly as part of The Wren Project – a place where individuals diagnosed with autoimmune disease, can talk about the emotional and social impact of living with a chronic condition.
“The carefully considered design of the William Sugg & Co Grosvenor lantern was the perfect addition to the St James’s Piccadilly garden, helping to add a sense of history and grandeur to the archway as visitors were welcomed.” concludes Robert Myers.