Month: July 2025

Ansell Lighting has expanded its specialist healthcare range with the launch of the LuxMed
Bedhead – a sleek and durable luminaire designed specifically for use in hospital wards and
patient bedrooms.

Featuring a single-piece body design, the new luminaire provides enhanced infection
prevention and stands up to the demands of intensive cleaning with hospital-grade
disinfectants.

Built to last, the luminaire also offers IP44 ingress protection and IK06 impact resistance,
and is backed by a 5-year guarantee for long-term performance and reliability.

Meeting LG2 requirements, the LuxMed Bedhead also features independent control of
upward and downward light providing flexibility for both clinical tasks and patient comfort.
With DALI dimming as standard, the fixture allows precise control over light levels with
OCTO smart functionality also available as an additional option.

The LuxMed Bedhead is also quick and easy to install with a first fix back plate making it
ideal for new-build and refurbishment projects alike.

Mark Abbott, Managing Director at Ansell Lighting said “The LuxMed Bedhead is an ideal solution for healthcare environments where cleanliness and durability are paramount. Built to withstand rigorous cleaning regimes and deliver long-lasting performance, it also supports patient comfort and professional care delivery with its flexible lighting features.”

For more information visit www.ansell-lighting.com

UK, July 2025 – TRILUX partnered with Sweco UK Ltd to deliver a circular lighting upgrade at the consultancy’s Maidenhead office. By refurbishing and upgrading the existing fluorescent luminaires, the project significantly reduced waste and improved the quality and efficiency of lighting in the open-plan workspace.
Sweco UK Ltd, a leader in sustainable engineering and design, recently partnered with TRILUX to deliver a circular lighting refurbishment at its Maidenhead office. The project involved upgrading old fluorescent luminaires installed in multi-service chilled beams on the first floor, bringing a more sustainable, energy-efficient, and visually comfortable lighting solution to the space.

A Circular Collaboration

The collaboration was underpinned by shared values around climate responsibility, circularity, and the creation of better environments. Both Sweco and TRILUX are committed to the United Nations Sustainable Development Goals and see the transition to a circular economy as key to addressing climate and resource challenges. This shared ambition shaped the project’s approach—from minimising waste through luminaire refurbishment to enhancing lighting quality and workplace wellbeing.

TRILUX’s innovative approach to circular economy enabled Sweco to retain and upgrade many of the existing luminaires, avoiding unnecessary waste and delivering significant carbon savings compared to a full luminaire replacement.

Designing with Sustainability in Mind

A successful mock-up helped secure the project, with TRILUX presenting a customised trial luminaire that modernised the appearance and performance of the original fittings. Outdated louvres were replaced with micro-prismatic diffusers, enhancing glare control and visual comfort while preserving the architectural integrity of the space.

Conor O’Donoghue, Operations Director at Sweco UK Ltd, commented: “This project demonstrates the impact of thoughtful design and strong collaboration. At Sweco, we aim to lead by example when it comes to sustainability. By reusing and refurbishing rather than replacing, we not only minimised waste but improved the quality of the office lighting for our team. TRILUX supported us every step of the way, ensuring the results met both our operational needs and circular economy objectives.”

A Blueprint for Future Projects

The refurbishment marks another milestone in TRILUX’s mission to support clients in making the shift towards a circular economy. It also sets a strong precedent for future upgrades within Sweco’s UK office portfolio, proving that sustainable design can sit side-by-side with performance and aesthetics.

For more information on TRILUX circular lighting solutions, visit: https://www.trilux.com/uk/

Central Station, Antwerp, Belgium

July, 2025

A new identity has been unveiled for Antwerp’s stunning Central Station with a beautiful illumination scheme, controlled by a system from Pharos Architectural Controls.

Antwerp Central Station, inaugurated in 1905, is an architectural highlight of the Belgian city. Known as the ‘Railway Cathedral’, it is considered to be one of the most beautiful train stations in the world. Influenced by the Belgian art nouveau movement, the station is iconic thanks to its 75-m high dome sitting atop the main hall, with a 44-m high arched glass roof covering the tracks.

The lighting is part of a wider public lighting scheme, commissioned by Antwerp City Council to make the Belgian city’s nightscape safe and welcoming. Susanna Antico Lighting Design Studio was appointed to create the lighting design scheme for the Central Station. The illuminations needed to be contemporary and future-orientated, focusing on the building and the surrounding environment. A system from Pharos Architectural Controls was specified for the project, delivering much needed control for both visual effects and sustainability.

The Pharos system was identified as the right technology for the project by system integrator Keystone Technologies. A trusted partner of national grid operator Fluvius since 2018, Keystone Technologies has provided lighting control system design, integration, and programming for various public lighting initiatives. Building on this established relationship, Keystone Technologies was appointed to deliver the lighting control for the Antwerp Central Station project, with Fluvius serving as the lighting grid operator.

A Pharos Designer LPC (Lighting Playback Controller) with two universes of control is managing 820 luminaires across this large-scale installation via Art-Net for precise DMX lighting control. The LPC is also controlling the power supply relays via a TCP-Modbus IO Module.

The Designer LPC features individually controllable and independently running timelines and scenes. Automatic scheduled playback is provided by the LPC’s real-time clock, and location settings ensure programming associated with daylight is accurate all year round for local sunrise and sunset timings.

Local access and override controls are provided by a Pharos Designer TPS 8 (Touch Panel Station 8) for manual on-site control of power modes and an interface for local maintenance via seasonal or test scenarios. The Designer TPS is an elegant interface with a customisable, capacitive touchscreen, compatible with any Pharos Designer controller. It allows for direct communication with the control system for real-time adjustments, as well as secure access for maintenance personnel to prevent unauthorised changes.

The Pharos system is working collaboratively with the SixEye platformto provide a cloud-based user interface for monitoring, scheduling, and manual remote control of the site. Having worked with Pharos Architectural Controls on a wide variety of projects, Keystone Technologies were easily able to demonstrate the exceptional capability and reliability of their solutions.

Mark de Gruyter, Sales Director at Pharos Architectural Controls said: “The Central Station in Antwerp is a hugely iconic building due to its unique and eye-catching architecture. The illuminations have truly enhanced this stunning traditional structure through the application of sophisticated white light, as well as illuminating the surrounding area to make it feel safer and more welcoming. Plus, with the added control, it contributes to the building, and wider city’s commitment to developing more sustainable and efficient environments. It’s always a great achievement when technology from Pharos is supporting such a high-profile project.”

Steve De Busschere, Founder at Keystone Technologies said: “We were delighted to be appointed to work alongside Fluvius once again on this impressive public lighting project. After understanding the brief, we knew straight away the LPC and TPS from Pharos offered the functionality and reliability we needed. Adding to this, their seamless integration to work alongside the SixEye platform made the project run even more smoothly and to time.”

Susanna Antico, Owner of Susanna Antico Lighting Design Studio, now Loomit studio, states: “The design is an intricate reflection of the constant movement and vibrancy of the station and surrounding area. It is representative of Antwerp as an active, dynamic and contemporary city. It has been enabled and brought to its successful conclusion by the efficient collaboration of all the project’s partners, including Pharos Architectural Controls.”

The new lighting project for Antwerp Central Station has created visual interest and enhances the perception of the rich architectural details. It is also delivering a comfortable ambience for those passing through quickly to easily find their way, but also for those looking to enjoy a moment of relaxation.

Project Credits:

Contracting Authority: Antwerp City Council

Light Designer: Susanna Antico Lighting Design Studio

Lighting Controls: Pharos Architectural Controls

Lighting Grid Operator: Fluvius

System Integrator: Keystone Technologies

Installation: Maes Industrial Lighting

Building Owners: SNCB | KMDA

Photographer: Benno Van den Bogaert

Signify’s connected sports floodlighting meets the highest quality FIFA standards
This recognises Signify as an industry leader in relation to the technical standards for floodlights
Signify floodlighting optimizes player, fan, broadcasting and viewer experience at matches and tournaments

Eindhoven, The Netherlands – Signify (Euronext: LIGHT), the world leader in lighting has been selected as Preferred Provider for floodlights by the global governing body of association football, FIFA. This means that Signify’s floodlights meet the highest quality FIFA standards and Signify is a trusted and recommended provider within the football industry.

As a FIFA Preferred Provider for Floodlights (FPP), Signify meets rigorous product, production and system infrastructure performance requirements. Signify will also work with the FIFA Quality Programme to drive research and development in sports floodlighting, advancing technical standards for the future.

Signify’s stadium floodlights have revolutionized the game-day experience. World-class illumination helps ensure optimal match experience for players, spectators and millions of TV viewers. Superior floodlighting plays a key part in supporting optical-based technologies such as video assistant referee technology, goal-line technology and optical tracking systems.

Signify’s stadium lighting also provides opportunities for additional entertainment at major events, for example entertaining fans with customized light shows before, during and after games.

Stadiums working with Signify as part of its FIFA Preferred Provider status can draw on a wide range of technology, including:

Arenavision LED gen3.5 – innovative LED pitch-lighting offers outstanding light quality, effective thermal management, long lifetime and is compatible with control applications such as the Signify Interact Sports Professional lighting management system, enabling remote light management and scheduling. The system is compliant with international broadcasting standards for any sport.
OptiVision LED gen3.5 floodlighting system – a complete solution for the simplest to the most complex recreational sports. It meets the highest performance standards, provides outstanding light quality, uniformity, and ensures safety and visual comfort. The wide range of optics ensures precise light distribution with minimum spill light and, when combined with controls, enables additional energy savings of up to 65%.

Each lighting system can be managed remotely across the venue, including pitch, stadium façade and hospitality areas, helping to improve operational efficiency.

Signify floodlighting is currently being used at world-class stadiums across the globe, including Stadion Feijenoord in Rotterdam, the Netherlands, where a new Arenavision lighting system has improved the match day experience for all and provides energy savings of 63%1 against previous systems.

Niels Geven, Signify’s International Director, Sports and Arenas said, “This recognition from FIFA, which is responsible for some of the world’s most prestigious and watched sports events, is an important milestone for Signify and a reflection of our leadership in sports lighting. High-quality illumination is hugely important in modern-day sport, especially top-flight football. It’s vital for both player performance, officiating and broadcasting purposes, and an essential part of the match-day fan experience.”

Signify has over 60 years’ experience working with sports lighting across a range of sports including football, hockey, basketball, cricket and tennis. The world leader in lighting is also the official lighting partner of the Mercedes-AMG PETRONAS Formula 1 team.

Formed in 1947 above a butcher’s shop in the town centre, Macclesfield Amateur Dramatic Society
(MADS) was created with one main purpose – to foster and promote theatre in Macclesfield by
giving local people the opportunity to perform on stage. Fast forward almost eighty years and the
Society is still going strong, having now produced over 250 main season productions, along with
several one act shows, studio pieces as well as festival entries. Since 1954, MADS’ home has been a
purpose-built ‘Little Theatre’ situated on Lord Street and has been upgraded accordingly over the
years; now even boasting a bar and lounge area. Following a mechanical inspection conducted by
Solutions On Stage, the company was asked to carry out some remedial works within the theatre’s
main performance space – to ensure it was safety compliant.

Solutions On Stage was first contacted by MADS Management Member John Chandler back in 2023, to carry out some initial remedial works. They were asked to return the following year, in order toconduct the venue’s annual mechanical inspection. John explains: “As an amateur dramatics society,
we hold ourselves to the highest industry standards – not just in terms of the performances but also
the venue in which we perform. We needed the Solutions On Stage team to compliance check all of
the bars, winches and ropes above the main stage, as well as the bars in the auditorium and studio”.
This inspection was carried out by Solution On Stage’s Technical Director Darren Williams, with the team uncovering several mechanical issues, as well as equipment – such as the original Hemp Set bars – that was non-compliant to the latest industry standards. John comments: “Regulations and standards, when it comes to theatre compliance, can often be a minefield! That’s why it was so great to see how communicative and transparent Darren and his team were when it came to explaining the situation, what needed repairing and how they were going to do this. They were also very
accommodating when it came to our budget, as well as the time-frame in which they needed to
deliver this”.

The Solutions On Stage team shortly returned to MADS Little Theatre where they spent three days
carrying out the remedial works. Darren explains: “In terms of the unrated trussing with poor
suspensions, we supplied and installed four new suspensions, from back-to-back Unistrut channel
cantilevered off the main structural steel into the roof space. These suspensions comprised of 6mm
OD steel wire rope, bottle screws, shackles and 50mm bar clamps. For the advanced lighting bar, we
supplied and installed four new suspensions from the same Unistrut, whilst for the front-of-house
lighting booms, we re-fixed them to the walls using Doughty ceiling saddle/universal coupler
arrangements.

He continues: “We also had to update the existing curtain track, which meant supplying and
installing four new suspensions from the existing truss grid. Finally, with the Hemp Sets, we supplied
and installed replacement aluminium bars of a 48.3mm OD and 4mm wall thickness. Once these
were in-place, we then tested the unrated static bars, before labelling accordingly with a safe
working load and providing certification for all works”.

The remedial works are now complete and have made a significant impact to the Little Theatre,
which has just announced its latest season. John states: “We were delighted with the service that
Solutions On Stage provided and will continue using them for our annual inspection moving forward.
They’re a very friendly and helpful team who go above and beyond; giving us the peace of mind that
our theatre is now safety compliant”.

Darren concludes: “As a company, compliance lies at the heart of everything we do. It’s our role to
work with venues such as MADS Little Theatre to demystify what can often be confusing safety
regulations and ensure they’re aware of what needs to be carried out – and then put in place a plan
in which this can be delivered. We really enjoyed working in such a beautiful and historic venue and
are delighted to see the impact our work has had”.

White Light (WL), a d&b solutions company, is proud to have supported the latest immersive production from The Lost Estate: Paradise Under the Stars. Set in a reimagined 1950s Havana, this Cuban cabaret experience has transformed a “secretive” venue in London’s Earl’s Court into the iconic Tropicana Club since March 2025.

Lighting Designer Peter Small, a long-standing creative partner of The Lost Estate, was once again tasked with shaping the visual world of the production. To realise his ambitious lighting concept, he partnered with WL to supply a comprehensive lighting package, including a substantial amount of period-authentic fixtures.

With a setting steeped in rhythm, romance, and rich folklore, Small’s approach was rooted in capturing the explosive energy of 1950s Havana through light. “The vision was to create a transportive, immersive atmosphere—one that celebrates the colour, texture and vibrancy of Cuban nightlife,” he explains. “We wanted every lighting cue to support the feeling of being swept into a living, breathing paradise.”
The lighting design plays a key role in shaping the emotional arc of the evening. Working across a dynamic, multi-perspective space, the rig was designed to guide focus, manage visual rhythm, and maintain clarity within the show’s layered choreography. Colour was used both symbolically and atmospherically, drawing from detailed historical research to construct a palette that was bold yet cohesive.

“To balance energy and emotion, we built in moments of contrast—quiet, intimate scenes offset against high-octane musical numbers,” Small adds. “This ensured each moment landed with full impact.”
Authenticity was key. The lighting rig featured period-appropriate Fresnel fixtures, positioned low and close to the audience to evoke the warmth and intimacy of a mid-century nightclub. “Every detail mattered,” says Small. “We wanted the audience to feel as though they had stepped into a genuine 1950s venue—not a modern interpretation.”

Collaborating closely with Production Electrician James Smellie and the wider creative team from early stages, Small faced the unique challenge of working with a monochrome set—where all depth and emotion needed to be delivered through lighting alone. “This required a high degree of planning, along with a diverse and dynamic lighting rig,” he explains. “With a white set as our canvas, we relied on multi-spectral fixtures and layered cues to transform the environment moment by moment.”
To balance the period aesthetic with the technical demands of immersive storytelling, the team incorporated a blend of traditional and innovative tools. Pixel tape, Vari*Lite VL500DB Tungsten, and vintage-inspired cabochons were used alongside automated tracking solutions such as Zactrack, which allowed precise, seamless followspot functionality within the performance space. “Zactrack was instrumental in tracking performer movement, allowing for seamless cueing in a constantly shifting environment. Tom Davis’ programming was exceptional,” Small notes.

Throughout the design process, WL provided end-to-end support, working closely with the creative team to source and deliver a robust and responsive lighting solution. “WL has been a trusted partner on many of our productions,” says Small. “Their attention to detail, deep technical knowledge, and commitment to supporting our creative goals make them integral to our process.”

Dom Yates, Head of Lighting at WL, adds: “This production presented a unique challenge, requiring a carefully curated rig that avoided modern LED multi-emitter fixtures. Drawing from our extensive inventory, we supplied a bespoke package including Martin MAC Quantum Profiles, Chauvet COLORdash, ETC Source 4 Series 2 Lustrs, Birdies, Minuette Fresnels, Cantata Fresnel, and the ETC Gio @5 console. We even reintroduced the Vari*Lite VL500DB Tungsten to help capture the precise atmosphere the team envisioned. It was a meticulous process, but one we were proud to support, and the results speak for themselves.”

When asked to share a favourite moment from the production, Small reflects on the emotional high point of the show: “There’s a scene where the pace slows, and the whole room holds still. It’s a rare breath in the whirlwind, and then, slowly, the energy builds to an explosive crescendo. You look around and see every face lit with joy, pride, and fulfilment. That shared moment makes all the hard work worthwhile.”

With critical acclaim and audience praise following its debut, Paradise Under the Stars continues to shine brightly, and White Light is proud to have played a role in bringing its story to light!

Photo courtesy of Hanson Leatherby

Credits:

Produced By The Lost Estate
Lighting Designer – Peter Small
Lighting Programmer – Tom Davis
Lead Production Electrician – James Smellie
LX1 – Benjamin Vetluzhskikh
Production Electricians – Bradley Halliwell, Alex Walton, Sophie Telfer, Jacob Gowler, Jack Hathaway, Jen Garland, Em Crochetiere

LiGHT 25 – the UK’s only trade show dedicated to high-end lighting specification, returns to the Business Design Centre, Islington, London on the 19th and 20th of November 2025, promising its biggest and most inspiring edition yet.

Following a record-breaking 2024 event that welcomed over 5,500 visitors, this year’s show continues to evolve with a dynamic new addition to the layout. To reflect the scale and scope of the lighting industry today, LiGHT 25 will be divided into three distinct zones, helping visitors easily explore the vast range of brands, technologies, and innovations on display.

One of the most exciting developments for 2025 is the introduction of the Technical Zone, located in the Gallery Hall. Already generating considerable interest, the new zone will showcase brands such as Casambi, Eldoled, Kvant, ProtoPixel, and TM Technologie. With only a handful of exhibitor spaces remaining, the Technical Zone is designed specifically for companies leading the way in urban and commercial lighting, control systems, OEM components, lamps, gear, and emergency lighting.

LiGHT 25 is about far more than just product displays. Alongside hundreds of decorative and architectural lighting brands, attendees can enjoy an array of engaging content, including the return of the dedicated two-day [d]arc thoughts talks programme, which, for another year running, is in collaboration with Lutron. With unprecedented interest in speaker slots this year, the upcoming panel discussions and presentations are set to deliver thought-provoking insights and big ideas from the industry’s most influential voices. Topics and speaker announcements are set to be revealed soon, which will also encompass the separate splinter talks programme in the Association’s lounge.

The exhibition also offers unrivalled opportunities for networking, branding, and social engagement. Visitors can connect with exhibitors directly on their stands, enjoy late-night welcome drinks on the opening evening, and take part in the much-loved LiGHT Lunch on day two. More informal catch-ups can happen over coffee at Jacks, the on-site gallery-level café, or in the LiGHT WORK lounge – a calm, dedicated space designed for deeper conversations and collaborative meetings.

Helen Ankers, Managing Editor at [d]arc media, said: “We are delighted to bring the lighting and design communities together for the most anticipated UK event in the lighting industry for the fourth year running. LiGHT 25 is not just for lighting designers – we value bringing together inspiring leaders and passionate people to share ideas and solutions to grow the future of the entire industry. A common misconception is that trade shows dedicated to lighting specification are just for lighting specialists, yet by bringing together architects, interior designers and other professionals in the community, with innovative brands and suppliers, LiGHT 25 is the perfect opportunity to network and seek inspiration, whatever role you play in a project.”

Completely free to attend, LiGHT 25 continues to set the standard for lighting exhibitions in the UK. With exhibitor slots – especially in the Technical Zone – in high demand, now is the time to secure your presence at the industry’s most anticipated event.

For more information or to enquire about exhibiting, visit https://www.lightexpo.london.

Photography credit: Natalie Martinez Photography

LiGHT 25

Lighting the way from concept to creation

The UK’s only dedicated exhibition for lighting specification

19 & 20 November 2025

Held annually, in November at the Business Design Centre in London, LiGHT 25 attracts designers and specifiers from all areas of the industry.

NEW this year is the Technical Zone – the perfect space for brands specialising in Urban lighting, Commercial lighting, Control systems, Components/OEM, Lamps/Gear and Emergency lighting.

The show also features the highly regarded [d]arc thoughts talks programme that delves deeper into the latest topics and trends affecting lighting and design. There is also the ability to re-energise in the Associations Lounge, which is set to feature a separate dedicated splinter talks programme.

LiGHT 25 is completely free to attend. For more information, head to: https://www.lightexpo.london/

Nestled in one of London’s most desirable and prestigious neighbourhoods, V Mayfair is a luxury gym, fitness, and wellness centre renowned for its sophisticated ambience and state-of-the-art facilities. More than just a fitness club, V Mayfair offers an exclusive, immersive experience designed to combine comfort, style, and wellbeing. Every detail from the elegantly appointed interiors to the expert, attentive staff reinforces its position as a premier destination for health and luxury.

Truly Lighting collaborated closely with the project architects LXA, alongside Robert Clift and the client to help bring the visuals to life for the stunning health club.

David Rooney, Design Director from LXA commented: “We developed the conceptual brief for V in close collaboration with our client. The design narrative is built around Five pillars of wellness: Physical, Intellectual, Emotional, Social & Spiritual. In combining these fundamental platforms, we have curated a health club experience that provides a haven for wellness and solace in the heart of Mayfair”.

Recessed LED slots were installed in the entranceway and to frame the backlit ‘V’ behind the reception desk – creating a luxury feel to the project. Throughout the club, backlit mirrors provide soft, even lighting that eliminates shadows while creating a contemporary and inviting atmosphere.

Additional lighting integrated between timber panels enhances the sense of depth and interest, highlighting different layers of illumination throughout the space. Due to exposed services in the ceiling, most fixtures are suspended, with a combination of linear and circular LED pendants used to provide general lighting and subtly distinguish different zones within the club.

As part of the renovations, an underground car park was repurposed, into a beautiful, new Pilates studio for members. The space allows for the ceiling lights to be switched off, relying solely on the gentle illumination from the backlit mirrors. This creates a soft, flattering ambience and helps prevent glare in members’ eyes while they are lying on the equipment.

In addition to exercise spaces, the changing rooms underwent a huge transformation. Discreet LED lighting above the lockers, integrated within the joinery, along with backlit mirrors and decorative wall lights, all work together to elevate the sense of luxury and create a soft, inviting glow throughout the space.

The result is a sophisticated well-lit, performance-driven setting that not only energises members but also reinforces V Mayfair’s status as a leading destination for fitness and well-being in one of the city’s most prestigious areas.

Project credits: 
Client: V Mayfair 
Lighting Designer: Truly Lighting & Robert Clift  
Architect/Interior Design: LXA
Photographer: Enzo Cerri  

Drawing on decades of outdoor lighting expertise, Thorn Lighting has launched an exciting urban solution, created in collaboration with Scandinavian studio Lyhne Design. The new Avenue family consists of four product types: post-top, lateral arm, lateral post-top and suspended, providing the flexibility to meet the varied needs of lighting schemes for urban spaces in a consistent and connected design language.

Avenue was developed through close collaboration between Lyhne Design and Thorn’s in-house technical teams and customer base. Using a series of in-person workshops to capture extensive market feedback for this new generation of the popular luminaire. The result is a versatile product family that caters to many different urban lighting scenarios, including parks, pathways, pedestrian zones, car parks, residential areas and urban roads.

A key outcome of this new method of development is Thorn’s ‘Quad’ modular platform (patent pending). This is ground-breaking innovation is centred around circularity and futureproofing. The modular design and novel approach to achieving IP66 rating simplifies maintenance, upgrades, refurbishment, and eventual disassembly and recycling. A single-piece refurbishment kit and simple Zhaga-down retrofit solution provides the flexibility to upgrade the connectivity and IoT features and extend the product lifecycle for generations to come.

In terms of connectivity, Avenue is compatible with Thorn’s full range of UrbaSens connectivity solutions, from simple point-to-point controls to large scale intelligent control networks beyond light. It brings to market one of the world’s first urban solutions with Zhaga Down node capability.

The Avenue family is built on Thorn’s well-established optical platform, offering a range of optical configurations for both Road and Street and Urban Amenity applications. All variants of the Avenue family are engineered to minimise upward light output, reducing light pollution and protecting dark skies. A new approach to optical bowl design and comfort optic has also been developed for Avenue post-top, providing a soft glow ambience with minimal glare for increased visual comfort. The bowl dimensions have been developed specifically to offer a fine balance of visual comfort and minimal ULOR.

Morten Lyhne, of Lyhne Design, commented: “At Lyhne Design, our way of working is shaped by Danish design tradition, emphasising good craftsmanship with a focus on functionality, minimalism and aesthetics. Each of Avenue’s design features makes sense in relation to functionality, construction and production methods, and the design consists of as few parts as possible in high quality, reusable or recyclable materials.

“The visual design features clean, harmonious lines, transforming a highly technical and functional product into something simultaneously poetic. Avenue is thoughtfully designed with a focus on superior lighting comfort and drawing inspiration from Nordic aesthetics. In the Nordic regions, we have always gathered around light, which represents safety, comfort and social gathering. With our outdoor luminaires we strive to embody these values, providing lighting solutions that enhance both safety and comfort in outdoor spaces.”

Eliot Horsman, Director of Product & Application Management at Thorn Lighting added: “For me, the new Avenue luminaire family represents the best of collaborative, customer-focused design. The result is a solution that offers flexibility and versatility in connectivity and IoT and lighting design; environmentally and socially responsible illumination; and a timeless aesthetic.

“Avenue is manufactured in Thorn Lighting’s highly accredited plant in Spennymoor, UK, bringing together the best of Scandinavian design and British manufacturing. It’s a lighting solution built not just for today’s cities, but for the evolving needs of future urban environments. Avenue offers a unique opportunity to invest in a product which can be maintained, upgraded and refurbished for generations to come.”

Find out more about Avenue from Thorn Lighting by visiting thornlighting.co.uk/AVEN

A breathtaking landscape unfolds before the eyes at Villa Calanova, a charming retreat on Elba Island, recently renovated by photographer and interior designer Adriano Bacchella. Surrounded by fragrant maritime pines, the villa sits atop a small headland overlooking the Tyrrhenian Sea – a haven of tranquillity, bathed in the vivid hues of sea and sky, where time seems to slow down.

Spread across two levels, Villa Calanova features a living room, a kitchen, two bedrooms, and two bathrooms, all thoughtfully designed to enhance the natural light and the authentic character of the island. Natural materials – particularly wood – and warm tones blend harmoniously with rustic furnishings and the contemporary design of Catellani & Smith lighting.

The lighting experience begins at the entrance with Lederam W1 wall lamps, finished in elegant copper leaf. In the cozy ground-floor living area, CicloItalia floor lamp, in brass, and the striking Macchina della Luce – one of Catellani & Smith’s most iconic creations – set the tone. Suspended between art and design, this sculptural piece commands attention, not only for its generous size but also for the gold-coloured leaf that covers its three discs, casting a warm, enveloping light in the room.

The kitchen, characterized by exposed wooden beams and a rustic stone oven, is lit by Lucenera 503 and by the hand-painted PostKrisi 51 in white, suspended above the dining table.

The CicloItalia wall lamp, with two flexible arms, illuminates the staircase leading to the upper level, which hosts two bedrooms and a bathroom.

In the first bedroom overlooking the sea, the ambiance is both intimate and refined. On either side of the bed, two EC301 wall lamps, with their clean, functional design, offer direct and comfortable light – ideal for evening reading. The space is further enhanced by the dramatic Lederam Manta pendant lamp, with its soft white shade and golden interior, adding a touch of elegance.

In the second bedroom, a Turciù pendant lamp with nine flexible arms takes centre stage. On the nightstand it has been places a Lola table lamp, whose flexible arm allows for precise lighting adjustments to suit different needs.

In the bathroom, above the washbasin unit, the minimal elegance of Light Stick in satin gold creates a delicate play of light and shadow on the wall, while a six flexible arms CicloItalia with a black base lights the shower area, enhancing the overall ambiance.

Outside Villa Calanova, the magic continues. In the intimate covered patio, a cluster of suspended More lamps glows softly among the wooden beams, like luminous fruit hanging in mid-air, while the subtle radiance of Fil de Fer lights up the outdoor dining table.

In front of the villa, a pine forest opens onto the sea—a natural corridor leading to a secluded relaxation area immersed in greenery, made enchanting by two golden Fil de Fer floor lamps and by the ethereal Medousê. Here, amidst the scents of resin and sea breeze, nature becomes a stage for peace and beauty. As you walk through the vegetation, delicate lights – Syphasera, Syphasfera, and Syphaduepassi – emerge like blossoms from the ground, infusing the landscape with a magical glow.

Credit:

Project by Adriano Bacchella

Photography by Nava Rapacchietta