Author: russellcoombes

CBG Light Perceptions recently worked on the restoration of the Blenheim Palace Orangery by designing an updated and efficient lighting scheme on a project that has received a prestigious 2025 RIBA South Award.

The Orangery, a refined and luxurious dining area in Blenheim Palace, is now once again open to the public for an authentically British experience. Well known for hosting one of Oxfordshire’s most elegant afternoon teas, the space also serves as an exclusive private venue for fine dining, weddings, and other special occasions.

This significant two-million-pound project on the Grade I listed building involved the replacement of the 19th-century glass roof with a solid insulated steel and slate design.

CBG Light Perceptions were tasked with overhauling the previous lighting design, which was known to generate glare and excessive brightness. Recognised for their sensitive and respectful approach to heritage conservation, CBG Light Perceptions has achieved a lighting design which complements the striking architectural textures of the new roof and captures the essence of the Orangery.

This award recognises the efforts of all involved as well as CBG Light Perceptions for reassessing the requirements of the space and coming up with an innovative, sustainable lighting solution to improve the functionality and aesthetics of the Orangery. The jury commented: “Boldly stepping away from an attitude of like-for-like repair typical in such a significant heritage setting, the project team at Blenheim Palace chose a new route for the design and delivery of the Orangery roof.”

Working closely alongside the client’s team, Historic England, the council, architects and interior designers on the comprehensive refurbishment, CBG Light Perceptions needed to consider a new lighting scheme that enhanced both the practicality and the exquisite atmosphere of the space. The design delivered significantly improved lighting throughout the Orangery while also providing a sustainable, low-energy approach. The new scheme ensures flexibility for a wide range of uses, with discreet spotlighting allowing for tailored setups during events, and a simple, pre-set dimming system enabling staff to effortlessly adjust lighting levels depending on the occasion.

The result is a sophisticated lighting solution that showcases the architectural fabric of the Orangery. The recognition of the overall project at the RIBA South Awards, held at the Bombay Sapphire Distillery in Hampshire in May 2025, is a testament to the care and collaboration invested in every element from all those involved.

Bruce Kirk, Director at CBG, added, “Successful lighting is built on a deep understanding of the space and close collaboration with the client and teams involved. Thoughtful project consultation with the client and stakeholders allows us to deliver tailored solutions that respect the heritage of a building while meeting the evolving needs of its users.”

Project Credits

Blenheim Palace

Nick Cox Architects

Ridge and Partners

Ingleton Wood

Frank W Haywood & Associates

Andrew Alder

Savvy Group

Image Credits – Andrew Ogilvy and Savvy Group

A landmark of Edinburgh’s northern skyline since 1901, the Granton Gasholder has been reimagined as a striking public space thanks to a £20 million restoration and regeneration project. Now at the heart of Granton Gasholder Park, this 165-foot-tall, listed structure has been transformed from an industrial relic into a vibrant community focal point—complete with dynamic lighting designed and delivered by Thorn Lighting.

Working closely with landscape architects Optimised Environments (OPEN) and consultancy Tetra Tech, Thorn was tasked with creating a lighting scheme that would enhance the visual impact of the restored gasholder, while respecting its historic character and listed status. The result is a bold yet sensitive lighting design that celebrates the structure’s unique industrial beauty, provides safe and welcoming navigation through the park, and offers programmable flexibility to support community events and public art.

A Dynamic Urban Regeneration

Granton Gasholder Park forms part of the wider £1.3 billion regeneration of the Granton Waterfront area. Once a key part of Edinburgh’s gas infrastructure, the gasholder sat unused for decades. The site has been transformed into a space for play, relaxation, and reflection following extensive refurbishment—including the careful preservation of 100,000 rivets and 26 towering columns. Visitors can explore walking trails, three play areas, and a central sculpture of a breaching humpback whale, a nod to nearby Firth of Forth wildlife.

Lighting played a vital role in the transformation, helping to redefine the gasholder’s identity and make the space welcoming after dark. The lighting brief required complete control over colour and timing, a low-profile installation respectful of the structure’s heritage, and glare-free, visually comfortable illumination for all users.

Tailored Lighting for a Historic Structure

Thorn specified a trio of architectural lighting solutions to bring the design vision to life.

Eroa inground luminaires were chosen to illuminate the gasholder’s Corten lettering that says GASHOLDER1, with their 3000K output and available in multiple lengths, Eroa provides a powerful, even wash of light capable of reaching heights beyond 12 metres. The option for internal anti-glare louvres and glare-control films made it ideal for the park’s urban setting—balancing drama with visual comfort.

Contrast RGBW floodlights, mounted strategically on the gasholder itself and controlled via a DMX system, these add depth and versatility to the structure. With a consistent modern design and wide choice of beam angles, Contrast units allow precise highlighting of structural details while enabling a multitude of colour-changing scenes for events and seasonal displays. Concealing cables and achieving seamless integration with the structure required careful coordination—but the results are visually impressive and technically robust.

To enhance the user experience throughout the park, Aerie column luminaires were installed along key pathways. Their soft, unobtrusive glow delivers high visual comfort and safety, helping to reduce energy use. Aerie is discreet and adaptable, designed for demanding urban environments, and suits the site’s coastal location.

Community-Driven Design

Tetra Tech’s Chris Dunbar, Senior Project Manager for the scheme, praised the partnership with Thorn Lighting:

“Working with the Thorn team has been fantastic. We were well looked after from start to finish—not just from Derick Ramsay but also by the technical team behind the scenes and David Harris who supported with the commissioning. They all adapted to some tricky timelines and changes in the programme and still delivered an exceptional result.

I can say, not just from myself but from the immediate community and stakeholders—it’s been exceptionally well received. Local feedback has been overwhelmingly positive. The vibrant illumination has given one of Edinburgh’s most recognisable landmarks a whole new lease of life.”

The project’s success is evident not just in the striking visual result, but in its reception. The park has quickly become a popular space for residents and visitors alike, with the illuminated gasholder now acting as a beacon after dark and a backdrop for a growing calendar of community activities.

Shaping the Future with Light

Granton Gasholder Park shows how thoughtful lighting can support urban regeneration and connect communities to their local heritage, from an unused industrial site to a celebrated gathering space. The lighting scheme delivered by Thorn enhances this identity, combining dynamic control with energy efficiency and architectural elegance.

For more information on Thorn’s architectural lighting range, visit www.thornlighting.co.uk

The UK’s premier event dedicated to sustainable lighting returns to London on 25 September 2025 with a bold and inspiring agenda.

Recolight is delighted to reveal the first tranche of speakers for Circular Lighting Live 2025, the UK’s largest and most influential event dedicated to sustainable lighting and the circular economy.

Taking place on 25 September 2025 at The Minster Building, London, this year’s conference will once again bring together the brightest minds and most impactful voices from across the lighting industry. With more speakers to be announced in the coming weeks, this first release already promises a compelling and insightful programme for professionals across the sector.

Eight Curated Sessions to Drive Industry Transformation

Insight from Asela Rodrigo and Hamish Angus McAndrew on sustainability practices adapted from Mount Everest expeditions.

The Regulatory Roadmap: A forward-looking session with Teresa Selvaggio of LightingEurope outlining the complex web of incoming UK and EU policies shaping the future of lighting design and manufacturing.

Smart Remanufacturing: Featuring Thorlux Lighting’s retrofit of Aston University Library, cutting carbon and enhancing functionality through intelligent upgrade strategies.
Managing Metrics: From TM66 updates to Environmental Product Declarations (EPDs), this session includes Recolight’s Max Robson on practical specification using robust environmental data. TM66 co-author Kristina Allison updates on the development TM66 and what to expect in Version 1

Creative Cat A: Paul Beale of 18 Degrees presents a radical rethink of office fit-out lighting through rental and reuse models, supported by a documentary showcasing early pilot projects.
Innovations in Circularity: Examining pioneering materials and product concepts Sylvania Group regional director Gareth Petley explores the OptiClip, its development, application and unique properties.
Closing the Loop: Insights from SAS International business development manager Tim Phillpot, on developing a viable market for reclaimed and remanufactured ceiling tiles – a model that offers lessons for the wider built environment.

Pioneering Projects: Benz Roos of Speirs Major shares experience from relighting Utrecht’s Dom Tower using reused luminaires, navigating optical and design challenges.
New for 2025 are ‘Just One Thing’ micro-presentations: short, punchy case studies showcasing real-world circular success stories. And a Moonshot Panel, which will challenge conventional thinking and propose bold, industry-shaping ideas.
Complementing these formats is a much larger exhibition space, allowing for hands-on interaction with the latest sustainable lighting solutions from leading brands. From materials and controls to components and complete luminaires, the showcase provides a uniquely focused, single-day opportunity to see and compare the best in sustainable design.

Free Access for Key Professionals – Book Before 31 July for Early Bird Discounts
Tickets are free for independent fee-based lighting designers, architects, consulting engineers, and end-users.

For other attendees, early bird rates are available until 31 July – don’t miss the chance to secure your place at reduced cost for this must-attend event.

Book your place at www.circularlighting.live

Lighting is playing an ever-increasingly important role in the circular economy. Luminaires are no longer seen as part of the disposable society, thanks to a recognition that they can be upgraded and refurbished to extend their lifetime. Responsible manufacturers are integrating this approach into the design of luminaires from the outset, providing greater convenience to sustainability. David Goddard, Head of UK Projects from LEDVANCE explores this principle.

For many years the lighting industry faced the challenge of reducing electronic waste. The barrier to achieving this was the limited lifespan that traditional light sources, and even early generation LEDs, offered. To address this, responsible manufacturers have adopted manufacturing practices that enable luminaires to be part of the circular economy.

At its heart, the circular economy is a model of production and consumption that involves reusing, repairing, refurbishing existing products for as long as possible. The lifecycle of products is subsequently extended and is a move away from the linear economic model society had become reliant on. The unsustainable linear model is one which involves large quantities of cheap, and therefore rapidly disposable, products. These are never recycled or upgraded and ultimately end up being sent to landfill on an all too frequent basis.

One example of the circular economy in practice is LEDVANCE’s EVERLOOP approach. This principle enables the replacement of individual light sources and drivers in a convenient way, rather than having to replace luminaires in their entirety. The purpose behind EVERLOOP is that it is integrated into the LED from the offset, allowing for the straightforward upgrade with new drivers and new LED light sources at any time. This means the luminaires have an almost unlimited lifespan.

The ease of replacement is key to the success of this sustainability practice. Having the ability to change the driver and light source embedded into the luminaire offers a convenient choice for many across the industry. This includes installers, planners, and facilities managers, among others wanting to secure sustainable efficiency of industrial and office applications, as well as public buildings.

The EVERLOOP approach is one way that LEDVANCE is contributing to the EU’s plan to reduce electronic waste. As well as meeting legislative requirements and targets, it also represents how lighting manufacturers are demonstrating efforts and measures that go above and beyond to address sustainability matters.

There are many reasons why focusing on the reduction of electronic waste is crucial. Firstly, the re-use of existing products slows down the use of natural resources and raw materials. This means a reduction in landscape and habitat disruption as materials do not need to be mined.

A circular economy further protects the natural environment by lowering the amount of waste that is sent to landfill, or disposed of through burning. Figures from the World Resources Institute show that each year, 300 million tonnes of plastic waste is produced globally. This is in addition to 54 million tonnes of electronic waste. Designing products that can be used for much longer will reduce waste levels, and therefore pressure on the environment.

Adding to this, creating more efficient and sustainable products from the beginning of its lifecycle helps to lower energy and resource consumption. This is because, according to research published by the European Parliament, it is estimated that more than 80% of a product’s environmental impact is determined during the design phase.

To put this into context, data shows that around 45% of global greenhouse gas comes from product use and manufacturing. By implementing circular economy strategies that reduce this need to keep producing more and more, will significantly lower greenhouse gas emissions. This has the ability to reduce and potentially reverse some of the negative implications of climate change.

The circular economy also secures benefits that go beyond the individual products themselves. A reduction in the number of new products also lowers the associated packaging that needs to be disposed of. By upgrading the products that are in situ, there is less packaging for the replacement products – only what is needed to transport and store them safely. This in turn lowers the amount of waste, that in too many cases is still non-recyclable, that will be sent to landfill.

The role of lighting in the circular economy is clear to see, especially when there is an easy solution to challenging the outdated and detrimental linear model. The move to refurbishing and upgrading luminaires is becoming increasingly commonplace, and LEDVANCE is proud to be part of this movement.

Ideal for corridors and stairwells in education, commercial, and healthcare settings, Ansell Lighting has launched Degree – a new 1200mm surface-mounted linear, designed specifically for spaces requiring asymmetric light distribution.

Offering a choice of 80° and 120° beam angles, Degree delivers targeted illumination and is also power and CCT selectable between 3000K, 4000K and 5000K for added versatility.

Designed with ease of installation in mind, Degree features a clip-in gear tray to ensure quick and hassle-free mounting and maintenance, as well as end caps with pull-out conduit tabs to simplify conduit mounting for seamless integration into solid ceilings.

Delivering an impressive L80 60,000 hours, Degree has been constructed to last and comes backed by a five-year warranty for added peace of mind.

A self-test emergency option is also available for simplified management and maintenance.

Mark Abbott, Managing Director at Ansell Lighting said: “Degree is the ideal solution for spaces where asymmetric fittings are required. Not only has it been built to deliver but it is also extremely simple to install; everything from the clip-in gear tray to the conduit-ready end caps have been designed with the installer in mind. It’s a smart, efficient choice for modern commercial environments where reliability and ease of use are essential.”

A lighting control system from Pharos Architectural Controls is creating an immersive experience for visitors at a new sustainable visitor centre at the heart of the Port of Rotterdam in the Netherlands.

Portlantis is home to a permanent, interactive exhibition that brings to life the story of one of the world’s busiest and most innovative ports. The exhibition explores the port’s rich history while looking ahead to its future as it embraces sustainable, low-energy operations.

Comprising five stacked exhibition spaces offering fantastic views across the North Sea, the coastline and the port, the exterior of Portlantis is incredibly striking. Inside, the exhibits are brought to life with a single-universe Pharos Designer LPC (Lighting Playback Controller), specified by Ata Tech, who delivered the complete lighting and audiovisual solution.

The permanent exhibition, designed by Kossmanndejong, spans three levels – each focusing on a different theme – while two of the levels will also host temporary exhibitions. To deliver the interactive and experiential elements, the system from Pharos Architectural Controls has been integrated across various locations within the building.

The installation uses six Pharos Designer touchscreens, a mix of 5-inch and 8-inch TPS (Touch Panel Station) devices which have been strategically placed throughout the visitor centre, offering elegant touch control with fully customisable interfaces. The TPS 5 is quick and easy to use when activating presets, manual overrides, or even to use a custom colour to personalise the lighting. The scheme utilises two passcode-protected TPS 5s, located in the two education rooms. These panels are used to control the video projectors and to adjust the lighting system to the appropriate settings.

The TPS 8 is a new, spacious and elegant interface that is fully customisable using the free Pharos Designer 2 software. One of the TPS 8 panels is passcode-protected, allowing staff to control the interactive maquette table by selecting different modes and highlighting specific areas. Additional TPS 8 units have been installed in the server room for direct access to the support menu, and another is located at the shop entrance, providing overall system control including startup and shutdown functions. A final TPS 8 has been placed in the group welcome space, where it is used to select introductory movies and control the room’s lighting and audio levels. The combination of the two touchscreen sizes made it the perfect solution for the visitor centre, which can offer easy-to-use touchscreen controls for the lighting, and show control in exhibition spaces, workshops and labs throughout the day.

Across these different locations, the Designer LPC manages and controls a range of systems, including PCs, BrightSign players, projectors and Advatek PixLite controllers. It is also responsible for controlling the building management system, a Casambi lighting system, DMX lighting and automated show doors. Additionally, the Designer LPC controls the Xilica audio digital signal processor (DSP) which is connected to Genelec Smart IP Dante speakers, providing an immersive soundscape throughout the building. This comprehensive setup allowed for seamless integration and precise control of all multimedia and lighting elements throughout the Portlantis installation.

The Designer LPC is an all-in-one control solution that is ideal for interactive and integrated lighting installations. As a rugged, compact unit, the LPC is designed to offer complete reliability even when in 24/7 operation. Furthermore, the LPC features individually controllable and independently running timelines and scenes. It also offers the freedom of real-time manual overrides, with the versatility of powerful show control and integration features, perfect for managing highly complex control systems like Portlantis.

Mark de Gruyter, Sales Director at Pharos Architectural Controls said: “Portlantis is a fascinating exhibition, celebrating and championing the Port of Rotterdam. By utilising the Designer LPC, the exhibition has become an engaging way for visitors to learn thanks to impressive audio-visual effects. It’s rewarding to know our technology is playing an integral role in educating visitors to Portlantis.”

Tom Aarts, Director at Ata Tech added: “The power and versatility of the Designer LPC is astounding. It has enabled us to use just one system to control and manage such a variety of technological elements of the Portlantis experience, making the installation incredibly straightforward for us. It meant we could focus on the overall picture of what we wanted to achieve, knowing the LPC would deliver everything we needed from a control perspective. We’re delighted to have chosen Pharos as our partner for this project.”

Ata Tech collaborated closely with the project’s main contractor, Bruns, design studio Kossmanndejong, and a team of creative partners to develop a robust technical platform that brings the Port of Rotterdam’s story to life. The result is an engaging and memorable experience that captures the port’s past, present, and future – entertaining and inspiring visitors from around the globe.

Project Credits:

Client: Port of Rotterdam

Designer: Kossmanndejong

Exhibit builder and general contractor: Bruns

Lighting Controls: Pharos Architectural Controls

Lighting Design: HeinzLoopstra

Software / Content: BIND, Danny Weijermans, Shosho, IJsfontein, YIPP, VSTEP Simulation, MetImke, VideoAgency, MCW, Orfixmedia, VR Gorilla, Mevea

AV, hardware and lighting: Ata Tech

Photography: Robin Utrecht

Reigate, Surrey – When Dunottar School set out to stage its most ambitious production yet—Shrek the Musical—Theatre & AV Manager Ted Swan knew he wanted to raise the bar. With a background in professional theatre and experience in the West End, Ted turned to White Light, a d&b solutions company (WL), to help bring a touch of theatrical magic to the school’s 480-seat venue.

Over three sold-out nights, the school’s production wowed audiences with a full-scale set, dynamic lighting, and immersive effects, all made possible through a carefully curated hire package from WL. The equipment included Ayrton Diablos, ETC ColorSource Spot V fixtures, Chauvet Cloud 9 foggers, Unique 2.1 hazers, and Magic FX Power Shot confetti systems.

“The kids are so talented—some of them have even performed in the West End,” said Ted. “I wanted to give them a platform that matched their ability. WL helped us do exactly that.”

Working closely with WL’s Senior Account Handler Adam Walker-Cheetham, Ted developed a lighting plan that balanced creative ambition with the technical constraints of the school’s venue. With limited rigging capacity, weight was a key consideration, making the Ayrton Diablo the ideal choice.

“We needed compact movers that could still deliver real punch,” Ted explained. “The Diablos were perfect. I used them to shutter in on a bridge, throw gobos across the stage, and create stunning beam effects through haze. The results were incredible.”

From initial planning to opening night, WL’s team provided hands-on support. When a fog machine failed just an hour before curtain-up, a replacement was delivered within 40 minutes.

“The service was amazing,” said Ted. “Every time I called, someone picked up. Whether it was technical advice or last-minute kit, WL was there. It was smooth, easy, and completely stress-free.”

For Ted, this production marked his first major project at Dunottar, and a turning point for what’s possible in school theatre.

“We’ve gone from school shows to full-scale productions. With WL’s support, we’re delivering experiences that rival professional venues. It’s opened up a whole new world for us.”

Adam Walker-Cheetham, Senior Account Handler at WL, comments: “It’s been a real pleasure supporting Ted and the team at Dunottar School. Helping them bring their creative vision to life with the right tools and technology is exactly what we’re here for. I first discovered my love for theatre at school, so it’s incredibly rewarding to play a part in inspiring the next generation, whether they are future audiences or future professionals in our industry.”

Photo courtesy of Dunottar School, Shrek the Musical

Calverton Miners Welfare Football Club in Nottinghamshire has undergone a lighting transformation, replacing outdated metal halide fittings with energy-efficient LED floodlights and wireless lighting controls. This upgrade modernises the grassroots football ground with a smart, sustainable solution tailored to the needs of community sport.

Previously, the club’s lighting consisted of ageing metal halide fixtures mounted on old steel columns and powered by an onsite generator, illuminating both the main football pitch and the 5-a-side pitch. As part of a broader football framework initiative, the club aimed to improve visibility, energy efficiency, and lighting control – all without disrupting the existing infrastructure.

Halliday Lighting were directly appointed by the main contractor to deliver a full electrical installation, which included replacing the entire floodlighting system from the ground up, from underground cables, steel raise lower masts and equipment cabinet to front end protection and relocated distribution and control.

A key requirement of the framework was the integration of dimmable controls to suit varied usage patterns and enhance energy savings.

For Calverton Miners Welfare FC, the goal was to modernise the club’s outdated metal halide lighting with a reliable, efficient, and easy-to-control solution — without the need for disruptive rewiring. To achieve this, Tridonic supplied a tailored package of wireless lighting controls perfectly suited for outdoor sports environments that is easily commissioned by utilising the mobile commissioning app, and the use of basicDIM Wireless allows end users to access a simple and ease lighting controls solution that doesn’t compromise on features and benefits.

The upgrade included Tridonic’s basicDIM Wireless OTD modules, basicDIM Wireless G2, and PS3 power supplies — all engineered for outdoor performance and seamless integration. The result is a future-ready, sustainable lighting solution that improves safety, visibility, and overall functionality for the club.

Matt Caygill, Business Development Manager, Tridonic UK said: “This upgrade provides the club with a dependable and energy-efficient lighting solution that improves both safety and functionality. It’s a great demonstration of how wireless technology can elevate grassroots sports facilities, delivering optimal lighting conditions for players while enabling greater control and energy savings.”

Calverton Miners Welfare FC’s lighting upgrade sets a new benchmark for community sports facilities, showcasing how innovative technology can deliver long-term benefits without the need for costly structural changes.

Project credits:

Client: Calverton Miners Welfare FC

Sports Lighting Contractor: Halliday Lighting

Lighting Technology Provider: Tridonic

Leading lighting designers and manufacturers, P&A Projects, have successfully completed an innovative commercial project in Manchester for Accenture at the No.2 Circle Square workspace.

Global professional services company, Accenture, has created an innovative new hub at the Circle Square 2 workspace in Manchester. The multi-sq-ft hub, situated in the landmark building and spread over three floors, will be home to around 500 employees who will be supporting Accenture’s clients in the Northwest region, allowing the business to expand into new projects across the UK and beyond.

Accenture has been located in Manchester for 30 years and this transition to Circle Square marks a significant moment in the organisations evolution. No.2 Circle Square is a joint venture between Bruntwood SciTech and Vita Group, creating market leading brands and dedicating spaces to the growth of science and technology.

Appointed by electrical contractor CSK Electrical, P&A Projects were to supply lighting features throughout the offices and meeting rooms. The brief was to provide a custom, alternative solution to the specified bespoke luminaires that met the requirements of the space.

P&A Projects supplied several custom oval pendant luminaires, bespoke linear rail luminaires, and various SubSpace 50 suspended linear luminaires varying in size from 1200mm to 2400mm. The custom pendant fixtures were specified in RAL black, while the linear rail luminaires were finished in green with copper shades for a completely unique design that complemented the overall interior design vision.

Philip Ascroft, Managing Director at P&A Projects said: “We were excited to be part of this project, providing a fresh start for Accenture to grow their business in the North West. Circle Square is a forward-thinking venture which will provide the perfect location for Accenture to thrive. This was a brilliant opportunity for P&A Projects to demonstrate how our design and manufacturing capabilities provide bespoke lighting fixtures that meet the needs of each individual space and requirements.”

Project credits:
Electrical Contractor – CSK Electrical
Lighting Partner: – Palace Lamps Company
Photography: Mike Dinsdale

As part of India’s ambitious drive to modernise its infrastructure, three key railway stations in the southern region – Begumpet and Karimnagar in Telangana, and Shornur Junction in Kerala – have recently undergone a transformative facelift.

With projects completed as recently as April and May 2025, these upgrades were carried out under two major national programmes: the PM Gati Shakti National Master Plan and the Amrit Bharat Station Scheme (ABSS). While Begumpet and Karimnagar stations were developed as part of Gati Shakti Units (GSUs) to fast-track connectivity and urban infrastructure, the enhancement of Shornur Junction was aligned with the broader goal of improving passenger amenities and travel experience under the ABSS.

K-LITE played an important role in shaping the lighting landscape across all three stations. Known for their technical reliability and design-led solutions, K-LITE delivered a wide selection of outdoor lighting products that elevated both the functionality and visual appeal of these public spaces. K-LITE’s sales team proactively engaged with project stakeholders across each location, building strong relationships through continuous dialogue and project support – an approach that proved key to securing and successfully delivering these high-impact projects.

For the Begumpet and Karimnagar stations, architectural firm M/s Narsimham Associates from Secunderabad were entrusted with creating a landscape-led design vision. To support this, K-LITE supplied a wide range of decorative poles and contemporary landscape lighting fixtures to enhance the spaces.

At Begumpet, the integration of asymmetrical Sudo and Sudo Mini luminaires delivered focused, comfortable lighting and In-ground fittings were carefully placed to highlight natural elements. A mix of Nebula Mini and Midi fixtures, equipped with honeycomb louvres for glare control, brought refined accents to key areas, while Mushroom bollards, Neon Flex, LED strip lights, and recessed Cylin Mini luminaires ensured pathways and perimeters were clearly illuminated.

Karimnagar station followed a complementary design, with the lighting strategy centring on continuity and energy efficiency. Anila Celosia and Heron Conical poles were used to complement the design, with Imperial Mini, a decorative pole-mounted luminaire with downward light distribution to deliver a clean architectural emphasis.

At Shornur Junction, the lighting upgrade took a different route. Appointed directly by the Executive Engineer of the Palakkad Division, K-LITE worked closely with railway officials to deliver a tailored lighting solution that aligned with the goals of the Amrit Bharat Station Scheme. The design focused on creating a safe, accessible, and visually welcoming environment for passengers. Here, the emphasis was on creating a lighting scheme that not only improved visibility and orientation but also enhanced the architectural expression of the station’s environment.

Across all three sites, the lighting solutions demonstrate a strength in delivering technically robust, aesthetically sensitive, and energy-efficient products. K-LITE’s commitment to supporting public infrastructure is evident in every detail of these railway projects. With thoughtful design coordination, intelligent product choices, and long-term collaboration with key project stakeholders, K-LITE continues to illuminate India’s path toward a smarter, more sustainable future.

Project Credits

Begumpet railway Station, Begumpet, Hyderabad, State Telangana

Karimnagar railway station, Karim Nagar City, State Telangana

Shornur railway station, Shornur, Palakkad, State Kerala

Architectural – Narsimham Associates

Shornur Station, K-lite, were directly appointed by the Palakkad division Executive Engineer

Images – Courtesy of K-LITE

Products

K-lite Products, Begumpet Station Landscape

2079-600-G52-DA – Anila Celosia Lighting Pole

2079-600-G52-SA – Anila Celosia Lighting Pole

KL-2743 Sudo – Asymmetrical-12W LED

KL-2747 Sudo Mini 2747- 6W LED

KL-4098 In-Ground Input power-8W LED

KL-4129 Fountain Light – Underwater Luminaires- 18W LED

KL-4266 Nebula Mini with Honey Comb KL-8333 – 6W LED

KL-4268 Nebula Midi with Honey Comb KL- 8334 -12W LED

KL-4893*Imperial Mini 50W LED

KL-5583 Mushroom Bollard -16W LED

KL-3230 Neon Flex

KL-4082 Cylin Mini-18W LED

KL-4267 Nebula Midi-12W LED

KL-4283 Nebula Midi – GU10 (Green and Red LED Lamp 7W)

KL-7289 LED Strip Light- 12W/m

For Karim Nagar Station Landscape

2079-600-G52-DA – Anila Celosia Lighting Pole 6000MM

2079-600-G52-SA – Anila Celosia Lighting Pole 6000MM

2075-700-S06-DA – Heron Conical Lighting Pole 7000mm

2075-700-S06-SA – Heron Conical Lighting Pole 7000mm

KL-4268 Nebula Midi-12W LED

KL-4392 Avenue 100 LED Road Light Fixture mounted on Heron Lighting Pole

KL-4893* Imperial Mini 50W mounted on SA/DA Anila celosia lighting pole