Author: russellcoombes

Recolight is delighted to announce the appointment of a new director, David Barnwell, who
will represent Holophane on the Recolight Ltd board; the first time the company has held a
seat on the board. David is Managing Director of Holophane, a role he has held since 2019,
and brings over 30 years’ experience in the lighting industry, including more than 26 years at
Holophane. He also sits on the Board of the Lighting Industry Association, having served as
its President from 2024 to 2026.

On joining Recolight, David said:
“I’m delighted to join the Recolight Board. Having spent my career developing and
marketing lighting products, I understand how important it is that our industry takes
responsibility for the whole lifecycle of what we make. I’m proud to represent Holophane
on the Board, and I look forward to supporting Recolight’s work.”

In announcing the news Recolight Chief Executive, Nigel Harvey said:
“We are delighted to welcome David to our Board. His extensive experience in many
different aspects of the lighting industry will be of real benefit as we develop our services
for Producer Members. I very much look forward to his insights and inputs as Recolight
responds to the challenges of the coming years.”

David joins as a non-Executive Director representing Holophane, alongside board chair
Andreas Adam, Senior Director at LEDVANCE, Cameron Wilson, Customer Resolution Manager at Signify, Andrew Clark, Financial Controller at Feilo Sylvania UK, and Steven Reed, Commercial Manager at Trilux.

Light plays a central role in defining London’s night-time identity, revealing its architecture, public spaces, cultural venues, commercial centres and transport hubs. Behind many of these illuminated environments sits Pharos Architectural Controls, whose intelligent lighting control systems underpin some of the capital’s most recognisable night-time visuals.

From the River Thames to the city’s skyline, Pharos technology is embedded across a wide range of London’s architectural identity. The result is not a single installation, but a city-wide presence – a connected influence shaping how London is experienced after dark.
Across London, Pharos control systems have been specified for landmark lighting schemes spanning infrastructure, architecture, and public realm environments. These include globally recognised icons such as Tower Bridge, the Old Royal Naval College, The Shard, and the London Eye, as well as major cultural, commercial, and civic destinations across the city.
Viewed together, these installations demonstrate the scale, diversity and reliability of Pharos products across London at night, showcasing a proven track record of dependable performance in a wide range of urban environments.

Tower Bridge stands as one of London’s most recognisable illuminated structures, forming part of a wider network of Pharos-controlled lighting schemes along the River Thames. Across the river corridor, several landmark bridges, including Waterloo Bridge, Blackfriars Bridge, Millennium Bridge, Southwark Bridge and London Bridge, incorporate sophisticated lighting control systems that enable coordinated illumination through the heart of the city.

The Old Royal Naval College in Greenwich, part of the Maritime Greenwich UNESCO World Heritage Site, is another key riverside landmark where lighting control has been introduced. Working within a heritage setting along the Thames, Pharos controls support a lighting scheme that enhances the site’s iconic domes and waterfront presence, enabling subtle, responsive illumination that respects the historic fabric while offering opportunities for dynamic evening experiences.

The Shard still stands as one of the most prominent uses of Pharos control technology on London’s skyline. Its façade lighting system relies on networked control to manage dynamic illumination across the building’s tapered form. Visible across the capital, the installation demonstrates how lighting control can be applied at an architectural scale, enhancing one of London’s most globally recognisable buildings.

The London Eye on London’s Southbank is a defining city landmark in motion, relying on Pharos control systems to deliver synchronised illumination across its structure. Throughout the year, it provides dynamic lighting displays for major events, celebrations, and campaigns, demonstrating how intelligent control can manage complex lighting schemes on a challenging, moving architectural landmark.
The Southbank district is home to some of London’s most visited cultural institutions featuring Pharos technology for their lighting displays, including the Southbank Centre, National Theatre and OXO Tower. Within this riverside stretch, architectural lighting plays a significant role in shaping the area’s evening character, contributing to a continuous cultural and visual identity along the Thames.
Alongside these established cultural destinations, regeneration projects across the capital are reshaping London’s night-time environment, creating new opportunities for architecture, public realm and lighting design to converge.

The regeneration of Battersea Power Station has created one of London’s most ambitious mixed-use destinations, where architecture and visitor experience intersect. Within this setting, Lift 109, located inside one of the building’s iconic chimneys, offers a fully immersive lighting and audio experience. At the heart of the installation, the Pharos control technology supports dynamic sequences that transform the ascent through the chimney into a narrative journey of light, anticipation and reveal.

In West London, Wembley Stadium and its surrounding infrastructure form part of a major entertainment and events district. Lighting installations across this area – including the iconic Wembley Arch, the pedestrian underpass at Bobby Moore Bridge, and Union Park, Wembley Park’s first major public green space in over 150 years – demonstrate the role of intelligent control in shaping large-scale, high-traffic environments for global audiences and major events.

Pharos technology is also present across some of London’s most recognisable retail and civic destinations, including Harrods, Selfridges, Carnaby Street and Westfield Stratford City. In each of these locations, lighting plays a key role in shaping identity, atmosphere and visitor experience, with intelligent control enabling dynamic façades and curated night-time presentations that respond to seasons, events and brand moments.

Elsewhere in the capital, landmark cultural and public buildings such as the Palace of Westminster, Somerset House, Alexandra Palace and the Natural History Museum demonstrate the use of lighting control within heritage and visitor-focused settings.

At Heathrow Airport, Pharos control systems are deployed across terminal environments where lighting must adapt to different operational requirements. These include responding to passenger movement, supporting retail and commercial spaces, enhancing art installations, and complementing the surrounding architectural design. Within this highly complex transport setting, intelligent control enables flexible lighting strategies across large-scale interior and exterior spaces.

Together, these projects highlight the breadth of Pharos installations across London, demonstrating the scale, versatility and reach of Pharos technology within the capital’s built environment.

Ryan Sainsbury, Regional Sales Manager – UK, Ireland, Benelux & N. Europe, at Pharos Architectural Controls said, “London’s landmark lighting installations demand robust, flexible, and highly responsive control systems that can perform reliably at scale. It’s rewarding to see Pharos technology specified across such a wide range of the capital’s most recognisable projects, supporting dynamic lighting environments that help define the city’s night-time identity.”
These installations are more than large-scale projects; they highlight an important trend. When lighting becomes part of a city’s identity, rock-solid reliability at architectural scale is essential, and creative ambition must be supported by technical precision.

Over more than 20 years in London, Pharos has played a key role behind many of the capital’s most recognisable illuminated spaces. As the capital continues to develop its night-time environment, and as cities worldwide focus more on identity, safety, sustainability and visitor experience, the demand for reliable, flexible and scalable lighting control systems will only continue to grow.
*Several of these projects were installed 20 years ago and continue to be powered by Pharos controllers today. We’re confident that most of the remaining installations referenced in this article remain Pharos-controlled, although it’s possible some may have undergone refurbishments or system upgrades of which we are not aware.

Lucent Lighting have specified and supplied lighting solutions for a carefully curated lighting scheme for AZOTEA, a rooftop restaurant and bar in Leeds that transforms the everyday into an immersive escape above the city skyline.

Lucent Lighting supplied the luminaires for a carefully curated lighting scheme designed by Mistry Lighting for AZOTEA, a rooftop restaurant and bar in Leeds that transforms the everyday into an immersive escape above the city skyline.

Perched high above the streets of Leeds, AZOTEA is a hidden urban oasis inspired by the rhythms, flavours, and traditions of Latin America. Drawing inspiration from the haciendas of old, the space blends authentic Latin culture with contemporary design, creating a vibrant destination where food, music, and atmosphere come together. Whether you visit for a relaxed daytime gathering or an energetic evening of music and dance, AZOTEA is conceived as a celebration of life, community, and experience, all set against panoramic views of the city.

The lighting design, developed by Mistry Lighting, was central to shaping this atmospheric rooftop destination. Working closely with both Mistry Lighting and Studio Two, Lucent Lighting supplied a flexible and discreet lighting solution that enhances the architectural character while supporting the venue’s dynamic day-to-night transformation.

A combination of mains voltage track and TUBE LED MINI luminaires provides adaptable, precision-focused illumination across key social and dining areas. The addition of TUBE LED MINI monopoints further enhances focal lighting moments, drawing attention to feature areas. To complement surfaces and architectural detailing, Vista mini wall lights introduce soft, atmospheric washes that enrich texture and depth, reinforcing the sense of intimacy within the open rooftop environment. Meanwhile, EDGE90 Pinhole fittings, finished in a custom RAL, are integrated discreetly to maintain a clean ceiling plane while delivering precise, controlled illumination that supports both circulation and mood.

Giovanni Premi, Specification Sales at Lucent Lighting, said, “AZOTEA is a great example of how considered architectural lighting can elevate atmosphere without overpowering the design intent. Working closely with Mistry Lighting and Studio Two, we focused on delivering flexible, discreet solutions that allow the space to transition effortlessly from day to night while maintaining visual comfort and clarity. The result is a lighting scheme that supports both the architecture and the energy of the experience.”

At AZOTEA Leeds, light is not just functional; it is part of the experience. Through a carefully layered architectural lighting approach, Lucent Lighting has helped shape a rooftop destination that celebrates atmosphere, culture, and connection above the city.

Products:

MAINS voltage track

TUBE LED MINI on mains voltage track (3CT)

TUBE LED MINI monopoint

Vista mini wall light

EDGE90 Pinhole custom RAL

Project Credits:

Location: AZOTEA Leeds

Lighting Designer: Mistry Lighting – Krishna Mistry

Interior Designer: Studio Two

Lighting Supplier: Lucent Lighting Ltd

London / UK, July 2026 – TRILUX has delivered a bespoke lighting solution for Maastro, a
leading radiotherapy centre in the south of the Netherlands, helping transform its treatment
rooms into calmer, more reassuring spaces for patients undergoing cancer treatment.

Working alongside healthcare specialists Architecten aan de Maas and installation partner
Equans, the project formed part of a major refurbishment programme to replace
radiotherapy equipment while placing the patient experience at the heart of the redesign.
Radiotherapy treatment rooms are highly specialised spaces, constructed with thick concrete walls
to contain radiation. While technically essential, these environments can often feel clinical and
intimidating.

Maastro wanted to change that.

"Nobody comes here by choice," says Liesbeth Cloin, Manager Facility Management at Maastro.
"That's exactly why we wanted to move away from the cold, clinical feel often associated with
healthcare environments. We looked at how light, colour and themed interiors could bring a sense
of calm to what is, for many patients, an anxious experience."
Each of the six treatment rooms was given its own identity, inspired by themes including water,
meadows, marl and cherry orchards. Above each treatment unit, bespoke sky images were printed
onto TRILUX Arimo LED panels, creating the impression of looking up into the open sky.
"These aren't generic stock images," Cloin explains. "They're photographs of places our patients recognise. For a little while, they can forget where they are and instead feel connected to somewhere familiar."

Lighting that guides and reassures

Working closely with Architecten aan de Maas, TRILUX developed a lighting concept that supports
patients throughout their journey into the treatment rooms.
"From the moment patients enter the treatment area, the lighting gently guides them through the
space," explains Rafael Calis Sanchez, architect at Architecten aan de Maas.
A narrow asymmetrical Finea light line runs through the access corridor, providing subtle
wayfinding while creating a calm atmosphere. Positioned slightly off-centre, it offers a more
comfortable visual experience for patients being transported on beds, while working alongside
Sonnos downlights to deliver balanced, even illumination.
Within the treatment rooms themselves, the lighting was equally carefully considered.

"It's a small detail," says Cloin, "but it makes a huge difference. Nobody wants a bright luminaire directly above them while they're being wheeled into treatment."

A collaborative approach

From the outset, the project relied on close collaboration between Maastro, Architecten aan de
Maas, Equans and TRILUX to balance the demanding technical requirements of a radiotherapy
facility with a more human-centred environment.
"Together, we looked for the right balance between functional and experiential lighting," says Calis Sanchez.
One example was the integration of TRILUX Finea luminaires into the centre's suspended ceiling
system.
"The Finea light lines were originally designed for fixed ceilings," adds Cloin. "Thanks to some smart adaptations, they fitted perfectly into our suspended ceiling system. I really appreciated that flexibility."
Calis Sanchez also praised the collaborative design process.
"Marcel Jansen from TRILUX understands the way I design. He always contributes ideas and ensures the lighting complements the architecture without compromising on quality or
atmosphere."

More than lighting

The redesigned treatment rooms combine lighting, colour and artwork to create a more welcoming
environment throughout the patient journey. Murals by a local graffiti artist continue each room's
theme through the access corridors, providing moments of familiarity and distraction during
treatment.
"This is how we create warmth, recognition and distraction," says Cloin. "We have patients taking
photos beside the murals after their final treatment. Some even coordinate their clothes with the
colours of their treatment room. I think that's a wonderful compliment."

The benefits extend beyond patients.

"Our staff spend much of their day working on screens," Cloin explains. "That's why the lighting is
automatically dimmed where appropriate. It creates a calmer ceiling, reduces visual fatigue and
gives us a fully programmable system that also supports our Green Deal sustainability
commitments."

Continuing to improve

Four treatment rooms have now been completed, with the experience informing future
refurbishments across the centre.

"We keep learning," says Cloin. "With every refurbishment we build on what we've learned before.
Working with one committed lighting partner allows us to keep improving, and because we know
the process so well, we can plan bespoke luminaires early and avoid unnecessary delays."
The partnership is now extending beyond the treatment rooms, with TRILUX lighting being
introduced into offices and waiting areas as part of Maastro's wider refurbishment programme.
Calis Sanchez believes the same design philosophy should apply throughout the building.
"We want every stage of the patient's visit to feel as comfortable as possible—from arriving at reception and spending time in the waiting area to treatment and returning home. Our aim is to
create an environment that feels more like a hotel than a hospital, helping to reduce the anxiety
associated with cancer treatment. Light is a crucial part of achieving that."
For Cloin, the project's success can ultimately be measured by its effect on patients.
"We want patients to feel safe and relaxed," she concludes. "If lighting helps achieve that, then we've done our job.".

For further information on healthcare lighting please visit:
https://www.trilux.com/gb/applications/health-care/health-care/

Peaches & Cream’s flagship store on Dale Street in Liverpool has been reconfigured into a more cohesive, characterful retail environment that reflects the brand’s independent spirit while creating a stronger customer experience. Working with Harrison Stringfellow Architects, the project reimagines the space around the qualities that have always defined the brand – fun, energy, theatricality and a strong sense of place.

The fit-out responds to the store’s need for greater continuity across the interior, bringing together the retail floor, tester station, makeup artist masterclass auditorium and waiting area, as well as the photography and editorial space. The result is a more considered layout that supports the way customers move through the store while giving each zone a clear purpose and identity.

Light Forms was directly appointed on the project, having worked with the client previously, and supported the team in developing a lighting scheme that helped move the brand forward without losing its original essence. A bespoke approach was needed, with track and spotlight systems specified in a custom RAL yellow finish to complement the interior concept and reinforce the visual language of the space.

Nova 62 is used above the tester table to provide clean, comfortable illumination for product interaction, helping customers engage with the display in a clear and inviting way. Powergear Track, also finished in RAL yellow, supports the overall lighting strategy with a discreet but highly effective architectural presence. Globe Pendants, likewise completed in RAL yellow, are used to light the display products and till area within the proposed metal frame, adding a more expressive layer and helping to define key moments within the store.

Together, these elements create a lighting scheme that feels playful yet refined, balancing retail functionality with the more theatrical qualities of the Peaches & Cream brand. The lighting helps to unify the different parts of the store while enhancing the atmosphere, supporting both the customer journey and the wider identity of the business.

Sustainability, accessibility, fire strategy and acoustics were also considered as part of the wider re-fit, ensuring the new store is as practical as it is distinctive. The final result is a flagship retail space that feels confident, contemporary and unmistakably Peaches & Cream.

Paul Shoosmith, Director at Light Forms, commented: “Peaches & Cream was a great project to be involved in because the lighting needed to do more than simply illuminate the space – it had to support the brand experience and help bring a real sense of personality to the store. Working with Harrison Stringfellow Architects and the wider team, we were able to deliver a scheme that feels considered, cohesive and true to the original character of the brand, while still moving it forward.”

Su Stringfellow, Director at Harrison Stringfellow Architects, said: “Light Forms were an excellent partner on this project. They understood the design ambition from the outset and worked closely with us to develop a lighting solution that supported the brand, the layout and the customer experience. Their guidance on the bespoke finishes and product selection was invaluable, and the finished result has helped bring a strong sense of identity to the space.”

Together, the lighting and interior design have helped transform Peaches & Cream’s Liverpool flagship into a more connected, expressive and experience-led retail destination.

The UK’s leading lighting specification event brings together hundreds of brands, inspiring content and the people shaping the future of lighting – with free registration now open.

LiGHT 26, the UK’s only trade show dedicated to high-end lighting specification, returns to the Business Design Centre in Islington, London, on the 18th and 19th of November 2026, bringing together the lighting and design community for two days of product discovery, expert insight and valuable industry connection.

Whether specifying an upcoming project, searching for new suppliers, discovering the latest technologies or simply looking to stay ahead of emerging trends, LiGHT 26 provides a unique opportunity to explore the very best of the lighting industry – all under one roof.

Since launching in 2022, LiGHT has quickly established itself as a key date in the calendar for architects, interior designers, lighting designers, engineers, consultants and specifiers, offering a dedicated platform to discover new products, meet leading manufacturers and connect with the people behind some of the most innovative lighting projects.

For two days, the Business Design Centre will become a hub of creativity, collaboration and conversation, with hundreds of leading architectural and decorative lighting brands showcasing the latest products, technologies and solutions. From cutting-edge lighting systems and controls to decorative fittings, technical innovations and smart building technologies, visitors will have the chance to experience new ideas first-hand and discover products before they are specified on future projects.

Returning for LiGHT 26, the Technical Zone will provide a dedicated area for brands specialising in lighting controls, emergency lighting, OEM components, lamps, gear, connected technologies and more. Reflecting the growing importance of intelligent and integrated lighting solutions, the zone offers visitors the chance to explore the technologies driving the future of sustainable and efficient design.

Beyond the exhibition floor, LiGHT 26 will deliver an inspiring programme of talks and discussions, bringing together influential voices from across the lighting, architecture and design communities. Curated by [d]arc media, the [d]arc thoughts talk programme will explore the latest challenges, opportunities and ideas shaping the future of lighting, with speaker announcements for this and the splinter talks programme in the Associations Lounge to follow.

Adding another creative dimension to the show, planning is already well underway for the LiGHT 26 Art Installation, which will once again bring together lighting, creativity and design to create a memorable centrepiece for visitors to experience during the exhibition. Further details will be revealed in the coming months, with visitors invited to experience this unique feature during the show.

Networking remains at the heart of the LiGHT experience. From conversations with exhibitors and industry experts to informal catch-ups with peers, the event provides the perfect environment to build relationships, exchange ideas and discover new opportunities. The popular late-night drinks reception will also return, offering visitors and exhibitors the chance to continue conversations in a more relaxed social setting after the first day of the show.

LiGHT 26 also marks the first edition of the exhibition under the ownership of Messe Frankfurt UK, following the acquisition of LiGHT Expo London. Now part of Messe Frankfurt’s internationally recognised portfolio, the exhibition will continue to build on the strong foundations established since its launch, while retaining the community-focused identity that has made LiGHT such a valued event within the lighting industry. [d]arc media will continue to support the exhibition through promotional activity and the curation of its content programme.

Simon Albert, CEO of Messe Frankfurt UK, said: “LiGHT has become one of the most important meeting places for the UK lighting specification community, and we’re delighted to welcome the industry back this November. As the first edition under Messe Frankfurt UK, LiGHT 26 will continue to deliver what visitors and exhibitors value most – exceptional brands, inspiring content and meaningful connections – while benefiting from the international reach and expertise of the wider Light + Building portfolio.”

With thousands of professionals expected to attend, LiGHT 26 is set to once again bring together the brands, ideas and individuals shaping the future of lighting. Completely free to attend, it offers an unmissable opportunity to discover new products, gain fresh inspiration and connect with the wider lighting community.

If lighting plays a role in your projects, LiGHT 26 should be in your diary.

Register now for free and be part of the UK’s leading event dedicated to lighting specification.

A Full-day conference and exhibition delving into all aspects of the circular economy in
lighting. 8 October, Minster Building, City of London

Clients and specifiers are asking more challenging questions about embodied carbon, material
choices and end-of-life product responsibility. Legislation on repairability and upgradeability is
approaching, and Environmental Product Declarations are increasingly becoming a requirement
rather than a differentiator.
Organised by Recolight, Circular Lighting Live 2026 is the event where those questions get answered.
Taking place on 8 October at the Minster Building in the City of London, the conference brings
together designers, specifiers, manufacturers, and supply chain professionals to explore the practical
realities of a low-carbon future. Alongside the multitrack conference programme is an exhibition of
sustainable lighting innovation.

Speakers confirmed, with more to be announced over the coming weeks.

Keynotes
The day opens with Vision 2040, in which John McRae, director of Orms, pictures a lighting industry
beyond the take-make-use-waste model. A second keynote, Beyond Fast Lighting, sees Sabine De
Schutter, founder of Studio De Schutter, argue for upcycling as design strategy.
Following the keynote presentation, delegates can choose from six specially curated sessions to get
the most out of the day.

Data & Compliance: Alexander Flekler (WAGO) and Flavie Lowres (Recolight) unpack what EPDs mean for the supply chain; Neil McLean (Lutron Electronics) uncovers the tidal wave of circular economy legislation from Europe.
Innovation & Material: Niclas Thulin (Fagerhult) and Dean Skira examine how material choices and AI-driven design are cutting embodied carbon in new products.
Disruptive Design, the Role of Designers explores how independent lighting designers are shifting
specification habits in response to regulation and client demand.
Projects Uncovered, Real World Lessons: Ryan Bean (CBRE) and John Bowden & Brendon Airey (Light Projects Evolve) present the remanufacture of Leadenhall Market's historic fittings, offering lessons in heritage-sensitive circular practice.

Carbon Literacy: Sojan Johny (The Carbon Literacy Project) introduces the Carbon Literacy framework; Chris Newman (Albis) surveys the latest low-carbon and bio-based polycarbonates.

Confronting Cat A, Six Ways to Cut Waste: examines leasing models and design-for-reuse
approaches to reduce waste from Cat A fit-outs.

The day also hosts the Build Back Better Awards 2026, celebrating creativity, innovation and
environmental leadership in lighting.

Book Now – Early Bird Rate for Manufacturers ends on 31 July

Manufacturer tickets are available at a reduced price, with an early bird rate available to end of July, plus a further discount for Recolight WEEE Compliance Scheme Members. Manufacturers are urged
to secure their place now before the early bird deadline passes.

Free Places for Specifiers Support from event sponsors means attendance is free for lighting specifiers. This includesindependent lighting designers, architects, consulting engineers, wholesalers, and end-users.
Specifiers are encouraged to reserve their complimentary delegate place as spaces are limited.
Circular Lighting Live 2026 is a timely opportunity for the whole lighting supply chain, specifiers, end users, manufacturers, remanufacturers, distributors, and contractors to understand the forces
reshaping the products being made, stocked and specified, and the companies that supply them, as
the industry moves toward a low-carbon, circular economy.

Book your place at circularlighting.live

The conference is sponsored by Light Projects Evolve, Albis, Fagerhult, Thorlux Lighting, and WAGO.

FC Bayern Munich and LEDVANCE, one of the world’s leading providers of general lighting, have announced a new long-term partnership running through 2029. LEDVANCE will become Official Lighting Partner of the German record champions and will work exclusively with FC Bayern Munich in the category of “lighting technology and lighting solutions”.

The two partners are united not only by shared ambitions, but also by genuine proximity: both are rooted in Munich, with LEDVANCE’s headquarters located within sight of the Allianz Arena. As Official Lighting Partner, LEDVANCE will support FC Bayern Munich as a project partner on modern lighting and infrastructure initiatives across the sporting environment. The partnership will cover everything from functional lighting solutions that support safety and orientation, to architectural lighting that enhances atmosphere and experience.

Together, both partners aim to inspire people, create memorable experiences and further strengthen their positions within their respective industries. With a modern outlook and a shared focus on global growth, FC Bayern Munich and LEDVANCE will bring their expertise and capabilities together in the years ahead.

Rouven Kasper, FC Bayern Board Member for Marketing & Sales, said, “FC Bayern Munich and LEDVANCE are united by their commitment to showcasing success in the right light. Elite sport is all about emotion, energy and special moments, and in LEDVANCE we have gained a strong partner who, like our club, has its roots in Munich whilst also being at home all over the world. We look forward to many successful years together.”

Local roots, global ambition: This partnership brings together the shared vision of two internationally recognised brands with genuine local connections, enabling close collaboration and the efficient, pragmatic and sustainable delivery of joint projects.

The partnership has grown through a range of initiatives around the Allianz Arena in recent years, including work driven by the phase-out of traditional fluorescent lamps. Sustainability remains firmly embedded within LEDVANCE’s corporate strategy. Alongside lighting quality and technological innovation, the partnership will therefore place a strong focus on energy efficiency and the responsible use of resources.

Fredrik Ergert von Gillern, Global Head of Brand & Communication at LEDVANCE, added, “It is no coincidence that this partnership has been formed in Munich: our headquarters are within direct sight of the Allianz Arena. Together with FC Bayern Munich, we’re demonstrating what lighting can achieve – in terms of performance and safety, as well as the atmosphere in the stadium and around matchdays, which inspires people all over the world. For us, this partnership is a significant step towards further expanding our international project business and actively shaping the future of sports venues and beyond. At the same time, we are strengthening our global brand perception and sharpening our positioning.”

In addition, initiatives are planned over the coming months to bring the partnership to life for fans step by step. The goal is to establish a long-term, resilient collaboration that continues to grow through visible projects and experiences.

The focus is not only on products but also on project expertise across the entire value chain – including planning, implementation, and long-term operational performance.

10 years of LEDVANCE: project expertise for holistic lighting solutions

LEDVANCE is celebrating its tenth anniversary this year, and the new partnership with FC Bayern Munich reflects the company’s evolution into a holistic project partner for demanding lighting and infrastructure projects.

Over the past decade, LEDVANCE has developed from a traditional lighting manufacturer into a provider of luminaires and connected lighting solutions, consistently expanding its portfolio beyond its core business. Today, the company delivers holistic solutions across key application areas including sport, office and education, industry and logistics, outdoor and grounds, and retail.

Under the motto “10 Years of LEDVANCE. 100 Years of Excellence. Your Vision. Our Light.”, the company builds on a century of lighting expertise and positions itself as a partner that transforms customer visions into future-ready lighting solutions – wherever lighting helps shape performance, safety and atmosphere.

Leading lighting designer and manufacturer, Ansell Lighting, has announced six strategic appointments as part of its ongoing growth and expansion strategy.

Charlotte Jago has joined the company as Head of Commercial Finance and FP&A, alongside Matthew Clague who has been appointed as Head of Customer Success, Sam Henderson who joins the business as Project Manager and Jonthan Knock who takes up the role of Supply Chain Manager.

Further expanding the management team are Diane Utterson, who takes up the role of Supply Chain Planner, and Julie MacCluskey, who has been appointed as Health and Safety Manager. These key additions mark an important advancement in the company’s growth journey, bringing significant strategic insight and operational expertise to accelerate expansion and enhance service to customers.

Joining the finance department, Charlotte Jago brings 18 years of experience in finance, with the majority of her previous roles concentrated within the manufacturing industry. Her strategic insight, strong commercial acumen, and commitment to driving business performance will play a key role in Ansell’s focus on adding value across the organisation.

Head of Customer Success, Matthew Clague brings fantastic leadership experience, and a strong passion for leading change and driving customer satisfaction. Clague started his career in retail for Argos, where he played a key part in the digital transformation and launched new format stores. He later joined tool hire company Speedy as Retail Director, and later became a Trading Director, supporting the company’s transformation strategy and implementing new systems to better support customer insight.

New Project Manager Sam Henderson has spent most of his career in operations roles across food manufacturing, warehousing and logistics. At Ansell he will partner with teams across the business to enhance project structure and help drive progress on strategic priorities.

Jonathan Knock joins with over 20 years’ experience in the rail, telecommunications and healthcare industries. He brings leadership and operational expertise in supply chain and procurement, focused on driving product availability while streamlining performance. His focus will be to align the performance of our supplier base to our customer requirements, while streamlining the flow of products into our warehousing sites.

The company’s operational infrastructure is further bolstered by Diane Utterson and Julie MacCluskey. Utterson brings more than 20 years’ experience in supply chain operations, while MacCluskey, who most recently was as a Health and Safety Advisor at Glass Futures. takes up a brand-new role for the business as Health and Safety Manager.

Mark Abbott, Managing Director at Ansell Lighting, said: “These appointments are part of Ansell’s broader strategy to continue investing in infrastructure and people, reinforcing our position as a leader in lighting solutions and ensuring we continue to deliver first class service.”

 The TALUNA table lamp has won the “Red Dot: Best of the Best” Award 2026 in the
“Lighting and Luminaires” category.  

 SKENA free-standing luminaire wins a Red Dot Award 2026 and receives a special
recognition at the Austrian State Prize for Design 2026
 SOLENA glass tube luminaire shortlisted as one of three finalists for the Austrian State
Prize for Design 2026 Luminaires from the EDITIONS series by Zumtobel have been recognized at the recent prestigious design awards: The compact TALUNA table lamp won the "Red Dot: Best of the Best" Award 2026 in the "Lighting and Luminaires" category. Only the best products in each category receive this quality seal. In the same category, the SKENA free-standing luminaire was awarded the Red Dot Award 2026. At the Austrian State Prize for Design 2026, the SOLENA glass tube luminaire was one of three nominated favorites in the running; SKENA received one of 14 special recognitions. With THE EDITIONS, Zumtobel offers a curated series of lighting solutions that are developed in collaboration with leading international architects, design studios and lighting designers for exclusive architectural projects and set particularly high standards of design and functionality.

The TALUNA table lamp impressed the jury of the Red Dot Design Award with its minimalist design,
reliability and sustainability. At TALUNA, the design, construction, and number of components used
are reduced to the absolute essentials. Timeless elegance, replaceable LED light source, recyclable
materials such as sheet steel, and high manufacturing quality ensure the luminaire's durability and
substance. The housing made of bent sheet steel emphasises the minimalist style. The joints of the
light housing are not welded. This reduces power consumption during production. Launching soon in
ten subtle pastel shades, TALUNA blends harmoniously into any room while making a strong design
statement.

With the SKENA free-standing luminaire, another product from THE EDITIONS collection has received
the Red Dot Design Award. SKENA is the result of a collaboration with the Hamburg-based office
BAID Architektur and a customised answer to the requirements of modern working environments. The
luminaire is ideally suited to open-plan workplaces and shared workstations. With the help of
integrated sensors, it adapts lighting levels to daylight and the presence of people in the room. With
the optionally available swarm function, several luminaires can also be connected to form a ‘light
cloud’ to create optimal workplace lighting as well as a pleasant atmosphere.

SOLENA made it into the top three products in the "Capital Goods" category at the Austrian State Award for Design 2026 and was thus shortlisted as one of the three finalists. The suspended luminaire was developed together with the architectural firm Herzog & de Meuron and the lighting designer Reflexion AG for the sustainable office building HORTUS. The luminaire combines design, function and aesthetics with a distinctive signature and radical simplicity. The result is precise, efficientillumination with a subtle shimmer that accentuates architectural details and adds depth to interiorspaces. SOLENA combines sustainability and design quality in one luminaire: designed to be modular,maintenance-friendly and recyclable, it impresses with maximum efficiency and visual excellence. In 2025, SOLENA was honored with the “Red Dot: ‘Best of the Best’” design prize for its outstanding product design.  

"THE EDITIONS embodies our aspiration to rethink light, developed for exclusive projects in forward-looking design. We bring enthusiasts together and empower creative minds to realize visionary ideas,push boundaries and inspire others,” says Matthias Menke, Vice President Atelier at Light Zumtobel,